Selected Publications

Logan T. Mathews and Kent L. Gee

Understanding the acoustic source characteristics of supersonic jets is vital to accurate noise field modeling and jet noise reduction strategies. This paper uses advanced, coherence-based partial field decomposition methods to characterize the acoustic sources in an installed, supersonic GE F404 engine. Partial field decomposition is accomplished using an equivalent source reconstruction via acoustical holography. Bandwidth is extended through the application of an array phase-unwrapping and interpolation scheme. The optimized-location virtual reference method is used. Apparent source distributions and source-related partial fields are shown as a function of frequency. Local maxima are observed in holography reconstructions at the nozzle lipline, distinct in frequency and space. The lowest-frequency local maximum may relate to noise generated by large-scale turbulence structures in the convectively subsonic region of the flow. Other local maxima are correlated primarily with Mach wave radiation originating from throughout the shear layer and into the fully mixed region downstream of the potential core tip. Source-elucidating decompositions show that the order and behavior of the decomposition lend to the local maxima being related to distinct subsources. Between the local maxima, however, there may be a combination of sources active, which is likely the cause of the spatiospectral lobes observed in other full-scale, supersonic jets.

Levi T. Moats and Kent L. Gee (et al.)

Migratory bird refuge soundscapes are seasonally dynamic due to changes in wildlife populations. Some of the most prominent acoustical events in a bird refuge are the morning and evening avian choruses, particularly during spring and early summer when breeding activity of birds is high. This event is acoustically dynamic, reacting to both biotic and abiotic drivers. One such driver is the presence of standing water. For this study, near-continuous spectral data were collected at the U.S. Federal Fish and Wildlife Services Bear River Migratory Bird Refuge. Although data fidelity can be compromised by wind and rain, changes in the avian chorus characteristics over time are observed. These changes over time are observed to correlate with times management at the refuge drained the wetland area surrounding the recording sites. Recording sites that were close to drained wetland units saw decreases in the average sound pressure level during the dawn chorus, sometimes on the order of 20 dB.

Kent L. Gee, Bradley W. McLaughlin, Logan T. Mathews, Grant W. Hart, and Mark C. Anderson (et al.)

As the global space industry expands, rockets are being launched from a greater number of spaceports with a rapidly increasing cadence. Because of the growth in the number of spaceports, the cadence increase, and efforts at vehicle optimization to reduce weight and cost, noise has the potential to create harmful impacts – from vehicle vibroacoustic loading to expanded environmental footprint. This paper provides a brief overview of current Australian spaceport and launch vehicle development, which involves near-term plans for small-payload orbital launches. Bounds on overall sound power level from these rockets is described, as well as maximum overall sound pressure level using two different models. One of these models, RUMBLE, is used to show maximum predicted levels at the Great Barrier Reef. Eventual refinement and validation of these predictions will aid in assessing potential noise impacts on vehicles, structures, communities, and threatened and endangered species.

Avery K. Sorrell, Kent L. Gee, and Reese D. Rasband (et al.)

Far-field acoustical characterization of blast wave propagation from explosives is often carried out using relatively small shot sizes (less than 1 kg). This paper describes a series of eleven Composition C4 detonations, with shot charge mass varying from 13.6 kg to 54.4 kg (30 to 120 lbs.) that were recently measured at the Big Explosives Experimental Facility (BEEF) at the Nevada National Security Site. Pressure waveform data were recorded at up to nine different stations, ranging from 23 m to 2.7 km from the blast origin, with some angular variation. As part of examining blast overpressure decay with distance and comparing with literature, the data were analyzed from the context of human safety regulations. To provide improved guidance for BEEF personnel working distances, an empirical model equation was developed for the distance, as a function of shot size, at which the peak pressure level drops below 140 dB. A preliminary investigation into peak level variability due to wind was also conducted.

Kent L. Gee (et al.)

During a rocket’s liftoff, its extreme sound levels can damage launch structures, payload electronics, and even the rocket itself.

Mitchell C. Cutler, Mylan R. Cook, Mark K. Transtrum, and Kent L. Gee

Separating crowd responses from raw acoustic signals at sporting events is challenging because recordings contain complex combinations of acoustic sources, including crowd noise, music, individual voices, and public address (PA) systems. This paper presents a data-driven decomposition of recordings of 30 collegiate sporting events. The decomposition uses machine-learning methods to find three principal spectral shapes that separate various acoustic sources. First, the distributions of recorded one-half-second equivalent continuous sound levels from men's and women's basketball and volleyball games are analyzed with regard to crowd size and venue. Using 24 one-third-octave bands between 50 Hz and 10 kHz, spectrograms from each type of game are then analyzed. Based on principal component analysis, 87.5% of the spectral variation in the signals can be represented with three principal components, regardless of sport, venue, or crowd composition. Using the resulting three-dimensional component coefficient representation, a Gaussian mixture model clustering analysis finds nine different clusters. These clusters separate audibly distinct signals and represent various combinations of acoustic sources, including crowd noise, music, individual voices, and the PA system.